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STUDIO PRODUCTION OF SCULPTURE: ADOPTING FIBER GLASS MATERIALS AND COARSE SACK FABRICS
GANAGANA OYINDOUBRA
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ANALYZING ONYIGE’S AGBADIH TRADITIONAL MUSICALINSTRUMENT OF OGBA PEOPLE AS SYMBOLIC NARRATIVE FOR BATIK TEXTILE FABRIC PRODUCTION
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SHOWING THE ENLARGED SCOPE OF ART HISTORY TO THE STUDENTS: AN AVENUE OF INVESTIGATION INTO NEW IDEAS IN ART HISTORY.
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Keywords
Studio Production, Sculpture, Fiber Glass Materials, Coarse Sack Fabrics.
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Home
About
Menu Toggle
About JOFAA
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Volume 1 No. 1
VOLUME 2 No. 1
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Home
About
Menu Toggle
About JOFAA
Editorial Board
Consulting Editors
Journal Articles
Menu Toggle
Volume 1 No. 1
VOLUME 2 No. 1
Author’s Guide
Contact
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